Ellen C. Caldwell | ECLAIRE.me

When discussing such works, he said, “I don’t want to hit people so hard that they don’t respond.” So he doles out kernels of truth, wild imaginings, and pieces of fact and fiction laced with humor, expletives, and explosives, all in order to pull people in to look closer, to do their own research, to grapple with history’s gaping holes, and to make them laugh.

In Umar Rashid’s world, the past intermingles with the present, constantly reminding viewers of the history and many stories that have brought us to where we stand today.

Cosmic Traffic Jam is a show for all ages that asks viewers to think, act, and do while appreciating the art. It is on view through August 25, 2018, at Zevitas Marcus.

In his examination of self, Rashid presents a rich body of work and an enticing series of questions about the same topics that haunt the Frenglish Empire – the role of influential and pejorative stereotypes, racism, capitalism, and imperialism. Here, we see Two Feathers as Rashid and the reverse – something Rashid described as a “trompe-l’œil effect of Two Feathers without the long extensive narrative story.” In that sense, Rashid replaces the epic historical narrative with a more personal, contemporary American narrative – though I would argue that the Frenglish and American worlds and messages are far more similar than they are different.