Oct

25

My upcoming art history lecture on Balinese art

  Ellen C. Caldwell, adjunct professor of art history and Seaver web producer, earned a 2014 Department of Cultural Affairs grant to travel to Bali and complete an arts writing residency. There, she interviewed over 15 artists and has spent the rest of the year writing about their work, their processes, and her experiences. Please join us to […]

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Jun
26

Bali to Cali: Bridging the Distance through Writing & Art

In 2014, I received a Los Angeles Department of Cultural Affairs grant to travel to Bali. During my arts residency at Yayasan Bali Purnati, I met and interviewed artists and began a series of writing about their work. Please explore this time and process with me in Kate Johnson and Michael Masucci’s video production, From Bali […]

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Jun
23

Los Angelenos at Yayasan Bali Purnati

Readers, you’re invited to… Los Angelenos at Yayasan Bali Purnati An afternoon tour of cultural exchange in Bali & Java with Ellen C. Caldwell and Sara Velas Saturday, June 28th, 2014 4-6 pm @ The Velaslavasay Panorama 1122 West 24th Street Los Angeles, California 90007 Reservations are not necessary for this free event. In February […]

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Jun

18

Artsy Abroad: Ketut Jaya Kaprus, Made Budhiana, & Wayan Sunadi

Budhiana’s work is generally large (a minimum of about 4-6 feet wide) and very colorful. Steady lines of bright reds, yellows, and oranges pack the canvases’ frames and tell a larger story. Humor and visual narrative, both large and integral parts of Balinese culture, are as much his medium as the paint and canvas themselves.

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May

21

Artsy Abroad: Fear, Frustration, & the Art of the Forage

Through this international foraging foray, I was able to explore artworks I would have never otherwise seen and get to know artists I would have never otherwise met. In a nutshell, it was an aesthetic experience of a lifetime.

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Apr

08

Everyday Problems: Ketut Teja Astawa’s Contemporary Balinese Paintings

Astawa’s canvases feature a comic-like aesthetic consisting of outlined figures and two-dimensional, flattened perspective. He incorporates the traditional wayang-style painting conventions throughout, using precise details such as shape and shading of natural forms or popular characters from the Hindu epic Ramayana. He also infuses his paintings with iconography from the wayang tradition; if he wants to indicate that a figure is an important member of the royal family, then he uses an established symbol, such as a signifying headpiece, that would visually indicate this.

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